It’s been 60 years since NBC aired the first episode of Above, Leonard Nimoy as Spock. Star Trek Archive hide caption
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Ask actress Jeri Ryan about the endurance of , and she answers with the earnestness of a truly converted fan.
“The way that has always held a mirror up to society and always been political in a non-threatening way … it’s fascinating to me. It was groundbreaking,” said Ryan, who knew little about when she joined in 1997 to play the character Seven of Nine.
Ryan marveled at how the original series, which debuted on NBC in 1966, featured a Russian character as the Cold War was raging in real life, alongside a Black female officer and a Japanese helmsman, sending a not-so-subtle message of what it might take to survive and thrive in the future.
“It was an optimistic view … of what we could achieve if we stop screwing it up,” she added, ruefully. “If we learn to appreciate and celebrate our differences and stop being afraid of everyone who is different from us.”
Robert Picardo and Jeri Ryan in . Hulton Archive/Getty Images hide caption
officially notched its 60th birthday last week, joining a select few TV and film franchises that have survived six decades of pop culture upheaval. The original series, starring William Shatner as Capt. James T. Kirk and Leonard Nimoy as Mr. Spock, aired for three seasons on NBC. It gave rise to a franchise of TV shows, films, video games, novels, comic books, conventions and collectibles.
They’re all centered on characters connected to Starfleet — an exploratory and peacekeeping armada co-founded in the distant future by humans, who scoot between planets in giant starships and are connected to other alien species in a United Federation of Planets.
In the streaming era, has spawned seven series and a movie, including in 2017, the animated series in 2020 and the last two franchise TV series, both planning to wrap up their runs: and .
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And that is where ‘s biggest challenge in many years may begin. Though an executive at Paramount+ told that the company wants to find a new iteration of — and a new writing team is also supposedly working on a script for a new movie for Paramount Pictures — there is no definitive film or TV show announced yet.
If no new projects are revealed soon, next year may mark the first time in about a decade that there have been no new TV series or movies in production.
Could it be possible that, one year after its 60th birthday, there could be an entertainment universe without new , at least for a while?
Critics have a lot of ideas about why might not be resonating with new fans, from dissatisfaction with the direction of recent series, to the limitations of Paramount+, where most new iterations of the franchise have been confined.
Akiva Goldsman, who co-created and serves as co-showrunner on , admits that some traditionalist fans may have objected to the big creative swings that the series has taken during its run, including a musical episode and an episode in which most of the crew of the Enterprise is transformed into Muppet-like puppets.
Still, he says ‘s appeal as a morality play that shifts with the times is key to its enduring appeal over decades. “[Its] about optimism, about exploration, about this notion that decency and kindness and empathy are the strengths of our culture,” he said. “I think the world often isn’t that. And I think we often yearn for that.”
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Goldsman saw firsthand how early conventions in the mid-1970s pioneered the gigantic science fiction and fantasy-based fan conventions of the modern era. He keeps the program from his first convention in 1974 framed in his office, remembering how fans from across the country gathered to watch an episode screened in a theater with better color and more scenes than the TV version. “From that point on,” he said, “all we wanted was more.”
So why isn’t there more definitively on the horizon after next year? Goldsman blames the impact of streaming TV for reducing viewers’ desire to see lots of seasons of one series. “Maybe people just want one or two great seasons of everything and then they move along,” he said. “This relationship that we once had with entertainment, was also when there was far less entertainment.”
But Ira Steven Behr, who was showrunner for over four seasons in the ’90s, has a different point of view on ‘s challenges.
A notorious contrarian with a goatee dyed blue, Behr says was born during a time when people believed — amid unrest over the Vietnam War, the Civil Rights Movement and assassination of President John F. Kennedy — that the world could get better through movements that brought massive change.
And, thanks to the success of the space race and moon landing, people also believed technology would be a big part of that success.
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“The secret message of is that technology is good and that in the [future] it will be even better and its impact on our lives will be both beneficial and benign,” Behr said, rattling off gadgets from the Trek universe that fans love. “In spite of warp drive and replicators, transporters and holosuites, tricorders and tractor beams, our essential humanity will be unchanged.”
These days, he added, in a world filled with divisive social media, disinformation spreading across the internet and a backlash against data centers powering artificial intelligence, few still believe the future will be better thanks to technology.
“Those two major thoughts that kinda relies on don’t make it anymore for people,” Behr said. “That s*** doesn’t fly.”
Some professed fans say the new shows are too focused on identity issues or classically liberal causes — saying it’s grown too “woke.” Behr noted some of those fans seemed focused on big space battles and high adventure episodes, with little patience for the smaller, emotional storylines.
“All these spaceships would explode and everyone dug it so much and no one’s thinking about the hundreds of people getting killed,” he added. “Now I realize there’s a whole segment larger than anyone thought that would watch for those explosions. They’re not interested in any larger thing the show is saying.”
Relaxing in his Nashville home after completing filming of all final episodes, star Anson Mount, who plays Capt. Christopher Pike, is feeling a bit like a favorite summer camp has ended.
Noting that has been around for almost a quarter of America’s lifetime, he says the show is “baked into the cake of our culture” because humans are by nature “fatalistically optimistic” in a way that the franchise highlights.
And while he also acknowledges some fans have criticized ‘s more ambitious episodes, Mount is convinced such experimentation was necessary to keep the franchise alive in the 21st century.
“I’d rather it be completely polarizing while doing something new and taking a risk,” he said. “I think would be dead if we delivered the midline of people’s expectations … I’m not happy that people are offended; I am happy that people are having a response.”
While trying hard to be diplomatic, Mount does have one criticism of the current franchise: ” has one problem to figure out,” he added. “And that is that its audience is aging and the current strategy is not bringing in a new audience. There needs to be a well-considered plan aimed at changing that.”
On that score, may suffer from timing, technology and circumstances. Fans often came to older series by watching syndicated reruns on broadcast TV, catching shows like the original series or after school or on the weekends. They also eventually had movies, which could bring the franchise to even bigger audiences.
But the last theatrical movie, , was released 10 years ago, which further limits access to younger fans.
The fanbase that remains has wildly different visions of what the franchise should be based on when they started watching it — even down to series structure. (For early fans, was an adventure of the week — while and had more extended plotlines.)
But Jeri Ryan wonders if also isn’t stalled at Paramount because it might conflict with the politics of the company’s latest owner, CEO David Ellison — who has faced criticism for taking action in other parts of the organization to curry favor with conservative President Donald Trump. (Ellison has denied bending news organizations under Paramount’s control, including CBS News, to please Trump.)
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“I have a hard time believing some of the disinterest is not political,” Ryan added, noting ‘s historic devotion to diversity and inclusion. (Paramount notably eliminated its diversity, equity and inclusion programs in 2025.) “I don’t think that they necessarily appreciate the message of so much. And I don’t know that [the franchise’s message] fits into where they’re trying to take things.”
Behr remembered the last time took a sizable break; when the series was cancelled by UPN in 2005, there wasn’t a new tv show or film until Abrams’ movie in 2009. He said needed a break back then, and it might not be a bad thing for the franchise to get a break right now.
“[Back then], we were talking about sheer overkill,” he added. “You know, give fans a chance to want back again … Even freakin’ chocolate gets old after a while if you eat too much of it.”
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